![]() ![]() Buffers and files are used only once then discarded. Our implements are medically sterilized and disinfected after each use. ![]() We understand that Safety and Sanitation are key to your peace of mind. Since our doors opened, we strive to provide each and every client with the most enjoyable and relaxing manicure and pedicure services available.Īs you enter Utopia Nails and Spa you are greeting by our friendly staffs that are highly skilled Nail Technicians, devoted to your personal care and complete satisfaction, rejuvenate your feet and hands. Utopia Nails and Spa offers the highest quality, most enjoyable manicure and pedicure services in Oklahoma City, Oklahoma. Tickets: $40-$115 51, conveniently in Oklahoma City, OK 73170, Utopia Nails and Spa is pleased to provide the clean and welcome atmosphere, which will make you freely enjoy the relax moments and escape from all of life’s pressure to make the most of wonderful time. Running time: Two hours and 40 minutes, one intermission Where: Berkeley Rep’s Roda Theatre, 2015 Addison Street, Berkeley As an appreciative observer of the Five Points, Foster distances more than he provides a point of entry to the life of a community that was ahead of its time, and in some ways is ahead of ours.Ĭontact Sam Hurwitt and follow him at /shurwitt.īy Marcus Gardley, Craig Lucas, Larry Kirwan, Jason Howland and Nathan Tysen, presented by Berkeley Repertory Theatre Though Jacob Fishel gives a sympathetic performance as the famous composer turned incognito hanger-on, the Foster subplot feels strangely disposable, at best a distraction from the real drama going on around him. Several Stephen Foster songs are rewritten with new lyrics and different melodies, such as “Hard Times Come Again No More” awkwardly reimagined as an anthemic fight song.įoster appears as a character, down and out and working in the bar as a pianist under a fake name. ![]() A forgettable duet about how nice it is to have “Somebody to Love” is followed by the achingly potent love song “Angelina Baker,” later reprised as a jazzy number. The songs are a mixed bag, some lovely or stirring, buoyed considerably by the dancing. Played by an offstage orchestra under the direction of Howland, the music has no particular fealty to the period. The Civil War soon bitterly divides the community - not the war itself but the draft, which sweeps up immigrants to become cannon fodder while prohibiting black people from enlisting. Shively) and Underground Railroad fugitive William Henry Lane (Sidney Dupont), both of whom turn out to be terrific dancers. The play cleverly juxtaposes two earnest and overwhelmed new arrivals, Annie’s fresh-off-the-boat nephew Owen (A.J. The greatest moments of pure joy in the musical happen during raucous dance-offs. There’s a lot of sprightly Irish step dancing (choreographed by ensemble members and “Riverdance” alums Garrett Coleman and Jason Oremus) and African-American Juba dance, both precursors of tap dance. Jones’ choreography is well worth the price of admission in itself, stunningly dynamic, evocative and unconventional. It’s directed by Tectonic Theater Project founder Moisés Kaufman (writer of “The Laramie Project” and “Gross Indecency”) with choreography by Bill T. The music is by Jason Howland (“Little Women”) and Kirwan with lyrics by Nathan Tysen (“Amelie,” “Tuck Everlasting”), including many riffs on classic Foster ditties. The book of the musical is by playwrights Marcus Gardley (“black odyssey,” “The House That will not Stand”), Craig Lucas (“Prelude to a Kiss,” “Amélie”) and Kirwan. ![]() This new version boasts a particularly impressive creative team. “Paradise Square” was conceived by Larry Kirwan, leader of the Celtic rock band Black 47, who previously created a very different version of the musical called “Hard Times: An American Musical” that played off-Broadway some years back using the songs of Stephen Foster (“Camptown Races,” “Oh, Susanna”). 5 awesome SF Bay Area things to do indoors on a rainy day ![]()
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